For this image, I wanted to give the image a light, airy, and pastel look.
If you’re a premium member, I did something a little different. I am including a PSD file with all of the layers. You’ll be able to go in and tweak them or play around with them however you want. It’s up to you if you want to just follow along with the tutorial or delete all the layers and do it for yourself! Are you interested in becoming a premium member? Sign up for the premium membership to get instant access to this tutorial.
For this tutorial, I went over all the layers in the file. If you’re an actions user, a lot of time you’ll see layers in the actions. It’s a great idea to double click on all of them and see how the artist made the actions. You’ll be able to learn a little more with it. You should also look at the layer styles as well.
This image is great to experiment. You can play around with all the layers that are already...
I’ve been seeing images similar to this several times before in different types of setups. I always wanted to do one myself. In the full tutorial, I created my own custom brushes to make this a really cool, whimsical image.
Some of the textures and overlays I used are from Florabella. They have really cool textures and overlays you can use that I really love. Before I started creating the brushes, I made sure to have the base of the hand edit done. If you haven’t seen any of the previous tutorials where I demonstrate how to make brushes, I do a quick overview on this one. Are you interested in watching the full tutorial? You can access this one and dozens more by signing up for the premium membership!
You’ll be surprised how easy it can be to do the custom brushes of the birds. The only challenging part was selecting and defining the birds with more details. When you watch the full tutorial, you’ll see how I overcame this little obstacle....
For this Rosie the Riveter tutorial, I will be doing a dramatic type of edit. I wanted it to look like the original poster with a caricature and dramatic feel by using some liquify and dodge and burn. To give it the cartoonish feel, there will be a lot of adjustments and changes to the image.
You can access the full tutorial by becoming a premium member.
I had done a similar edit before but I decided to re-do it now that the model is a little older.
This is one of the more tedious tutorials due to all the adjustments being made to the image and they are going to be done in little steps to build everything up.
When photographing the subject, I didn't realize that she was facing the opposite directions so I started the tutorial by flipping the image. I did some frequency separation in order to blur and smooth out the skin. I wanted to keep the texture but blend it all of the tones and highlights. I do show in the tutorial exactly how I did it. If you’re interested in...
This image was taken at my last compositing workshop in November.
If you’re interested in my compositing workshops, registration for my April workshop is open!
For this image, I shot with a Nikon D750 and a 200mm F/2. I shot at an aperture at two, which contributed to the blurry background that I was aiming for. It was very close to sunset when I shot this, so the sun had gone down quite a bit. There is still a bit of backlight and I will be emphasizing it during the tutorial.
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This was not a simple, clean edit. I really wanted to go dramatic with the edit and have fun with it. I wanted the final image to have a painterly look but definitely very dynamic. I will be bringing in tons color, warmth and light.
It was a little tough shooting because there were ten photographers shooting at the same time so I did not get the exact angle I wanted. I made some edits to make the image look more symmetrical.
I edited this traditional image with a little bit of compositing. It did end up being a little dramatic but I intended it to. It was mostly a hand edit and if you sign up for my premium membership you can watch the full tutorial.
I shot the image with a Nikon D750 and an 85 mm lens. This was shot in studio and there was a little bit of natural light coming in from the top and I used a monolight on the side.
I started off by bringing up the shadows because, as you may already know, I don’t like to have true blacks in the image and lose any details. I brought up the oranges in the image to brighten it up a little bit. I did do some cropping to the image but if you’re doing this for a client keep in mind the size you’re printing at before you start cropping in an image.
For this shoot, I used several different cameras since I had the subject doing several twirls and running around.
Since my original image was asymmetrical, I used the crop tool to straighten the image. I have such a bad habit of shooting a bit crooked. Usually, I have to straighten my images a little more often than I would like to!
There is a workflow action that I have created that will help you with this edit and make things much easier, you can find it here.
It was a very cold day out and you could tell on the girl's skin there was some blotchiness and goosebumps. I used my saved actions along with some further edits to focus on perfecting the skin and making it even.
You can watch the full tutorial on this Belle Beauty by becoming a premium member.
This edit was all about adjustments. With my workflow actions, I saved a lot of time making the essential edits.
I used dodge and burn to add contrast and go over the shadow areas. I especially focused it on the eyes of...